Amaryllis
Arna Rennan
Barra
Bells of the North Morris Dancers
Ben Fairbanks
Bill Hinkley and Judy Larson
Blackbirds
Blanche Krbechek
Bob Bovee and Gail Heil
Bounxou Chanthraphone
Bruce Bradley Band
CAAM Chinese Dance Theater
Carla Vogel
Clairseach
Creative Theatre Unlimited
Dance Revels Moving History
Danielle Daniel and Co.
Debra Korluka
Delores G. Matthews
Det Norske Folkedanslaget
Diane Jarvi
Dolina Polish Folk Dancers
Domácí Czech Folk Dancers
Drei Groschen Klezmorim
Elise M. Schebler Roberts
Elizabeth (Becky) Weis
Emeline Dziabas Cook
Ervey P. Shelley
Ethnic Dance Theatre Folk Orchestra, The
Finn Hall/Minnesota Pelimannit
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Flickorna Fem
Freshwater Pearls Puppetry
Gao Hong
Gladys J. Shelley
Greenwood Tree
Harlen Schmitgen
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Joy Parker
Karen Jenson
Karen Mueller
Karen Torkelson Solgård
Kip Peltoniemi
Konstantinos Papadakis
Laura MacKenzie
Leo and Kathy Lara
Les Harkonen Group
Les Schuft and Country Dutchmen Band
Linda Breitag
Linda Wade Koslowski
Lipa Slovak Folk Dancers
Mag McDermott
Marcie McIntire
Mariachi Flor Y Canto
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Mary Klockeman
Mary Reed
Matt Vorderbruggen Band
Melinda Brobeck
Minnesota Chinese Dance Theater
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Minnesota Scottish Celtic Dance Association
Monroe Crossing
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Mooncoin Céilí Dancers
Music-On-A-String
Nancy Ellison
Nordic Angst
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Paddy O'Brien
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Peter and Paul Wendinger Band
Piper's Crow
Que Huong
Rachel Nelson
Robayat
Robert Hoover
Rosemary Lang Roehl
Ross Sutter
Royal Scottish Country Dance Society
Salamat
Shakun Maheshwari
Sister Cecilia Schmitt
Skålmusik
Tibetan American Foundation of Minnesota
Valeriy Saakian
Voices of Sepharad
Walter Grittner
Wee Willie Band - Bill Makovsky
Wild Goose Chase Cloggers, The
Zhang Ying
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Ben Fairbanks
51655 Coral Road
Deer River
MN 56636
(218) 246-9484
Work Samples
Images (select to enlarge):
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Ben Fairbanks
Native American birch bark canoes
A member of the Ojibwe from Leech Lake Indian Reservation, Ben Fairbanks was introduced to birch bark work as a child by his grandmother and mother. When he saw his birch bark work as a way of making a living, he received valuable guidance from an elder, expert, traditional artist from a nearby community. Most of his materials he harvests from the nearby woods. Ben makes a number of small canoes, but has also crafted some sixteen- to 20-foot utilitarian canoes. He sells his large-scale work on commission from Native American organizations, and his baskets and other small pieces are sold through shops.
Available: Anytime; no mileage restrictions
Space: For long canoes, 20 by 8 ft.; for small canoes, 10 by 8 ft.
Fee: Negotiable
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Additional Information: A member of the Leech Lake band of the Ojibwe tribe, Benny Fairbanks makes objects out of birch bark in the manner of his ancestors. As a child growing up in the north woods, he watched his grandmother and mother make items such as makuks, traditional storage containers used by centuries of Ojibwe people. From them and from others he not only learned how to create objects made of birch bark, but also traditional Ojibwe methods of harvesting materials that do not injure trees. For example, Benny says that May 10-July 15 is the optimal period for peeling birch bark, for in this period, the bark easily comes off of the tree when it is cut.
Experience with natural materials has made Benny a connoisseur of forest-harvested materials. For example once birch bark has been cut from a tree, it grows back, but the aesthetic properties of "second growth" bark differs from the original bark. "Second growth" bark has a greater number of hues and differs texturally from the original bark. "Second growth" bark can be harvested, and Benny likes to work with it to create some objects. After years of experience, Benny has set on spruce, and not pine roots for lashing materials. The critical difference is that split spruce roots yield straighter lashing than pine, an effect that Benny finds aesthetically pleasing.
Many of Benny's small pieces are sold in the Northern Minnesota tourist trade. However, in recent years, Benny has found a market not only for small canoes a foot or less in length, but for larger ones up to twenty feet long. Benny credits Josie Ryan of nearby Bena, MN for the inspiration to create "seaworthy" canoes. Exteriors of these utilitarian canoes are made of birch, the insides are lined with cedar strips, and the rims are lashed on with split spruce roots. The only portion of the canoe not made of materials found in the woods is pitch. Benny said it was a very time consuming process to procure pitch from trees, so he used a commercial preparation instead.
Benny has been commissioned by several Native American institutions and businesses to create utilitarian canoes, and he continues to make smaller objects as well. The only difference between the objects he makes today and historical ones is that in the early twenty-first century, is that birch bark canoes or containers are seldom used for storage. However, Ojibwe people cherish them as reminders of their shared cultural past.
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