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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: Gail started learning fiddle music in the mid-1970s from Missouri fiddlers like Vesta Johnson, Frank Reed, Bob Holt and Emmanuel Wood. Among her singing influences are traditional singers such as Ozark performers Almeda Riddle and Tip McKinney. Bob learned old time cowboy songs from his family. Family members also introduced Bob to old time string music by taking him to fiddle contests and other fiddling and string band music occasions. Bob's father played the harmonica and got Bob started on that instrument. Today, Bovee & Heil performances combine their voices, the fiddle, banjo, guitar and harmonica. The Bovee & Heil repertoire includes fiddle dance tunes, songs taken from string band tradition, cowboy songs, and tunes learned from the area around their home in Spring Grove, MN. Bob and Gail see their music as both window to the past and a way of telling stories and expressing emotions still relevant today. The directness, the honesty and the intensity of traditional music done in the old style has a beauty and impact that explains why the form is going through a lively renaissance once again, growing in popularity. There will always be a place for a music that can affect people so deeply while connecting them with their roots. While some performance settings for their style of music, such as medicine shows and mistrelsy, have disappeared, many of the old fashioned settings for their type of music still exist. They play extensively for square dances, auditorium concerts, town festivals and in local cultural centers such as libraries, and for groups whose purpose it is to preserve old-time music and dance, such as folklore societies and music camps for adults. | |||