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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: Throughout history, people have told stories to entertain, teach, challenge, and inspire each other. Some of the stories that are still told today have been passed down for thousands of years. Nevertheless, one of the marvelous things about good traditional storytelling is that each telling is different, so that even ancient stories are kept fresh and interesting for new audiences. African and African American stories are often accompanied by drums and dancing, which take spoken words to an entirely different level. Danielle Daniel tells stories from a variety of different cultures. Early on, growing up in the Louisiana countryside, she was inspired by tales she heard in church and from her relatives. She also took a special interest in stories that had come from the local plantations. After she moved to Minnesota in the early 1980s, Danielle became involved in local theater. Audiences and critics recognized that she had a special gift as a storyteller, so in 1988, she decided to bring this to the forefront of her work. Danielle's performances take the audience on journeys filled with suspense and drama, giving people the experience of going to different places and times. She tells tales of tricksters and wise people, stories that are often hilarious and moving. Danielle is a great listener, and she is constantly learning stories from elders, musicians, in churches, and in many unexpected places. She keeps these stories alive, adapting them to each audience. As a result, no two of her performances are alike. Danielle uses her performances as a bridge between cultures. By sharing stories from African and African American traditions, she helps audiences to learn about and connect with her heritage. In classrooms and workshops, she encourages participants to tell their own stories as well. The format of her performances is flexible -- they can be informal or fully staged, and she can appear solo or, ideally, accompanied by at least one musician. Performances can be organized around particular themes or geared to any age group. In any form, Danielle Daniel's storytelling is an entertaining, magical experience. | |||