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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: In the early 1970's Jim heard the Swiss Girls polka band with Rodney Ristow on the concertina based out of Cochran, WI. He was so intrigued that about half a year later he worked up the courage to venture from Cedar Rapids where he was living, to Rodney's place in Wisconsin and buy the concertina from him. About that time, Jim also bought a Silberhorne method book and started working on trying to play the concertina. Experience on the button accordion helped the process. The combination of studying the method book, trial-and-error and asking questions of established players bore its first fruit about two years after buying the concertina. It was then that Jim started to play informally at local parties. By 1978, Jim had set up residence in Edgewood, Iowa, and had a fulltime job as the principal of a school. He had met a drummer who wanted to jam, and the two of them started to play around Dubuque in taverns and restaurants. They had a request to play a dance from a local polka club. The group made its first recording in Jim's home in Edgewood, Iowa. In 1985, Jim moved to Spring Grove, MN. In early 2002, the band has had a consistent lineup for over 10 years. The Jim Busta Band patterns its style on that of New Ulm, sometimes called Dutchman style. Like all of the polka music styles played for dancing in the Upper Midwest, the Dutchman style is traditional, possessing certain performance conventions that are shared by bands working within that style. In the Jim Busta band, the concertina and trumpets alternate taking the lead, and that is normal in the Dutchman style. However, bands seek to present their own special versions of the style while honoring the conventions of polka music. In that regard, the Polka community holds the Jim Busta Band in high regard for its vocals sung primarily in English, with a few sung in Czech and German, too. The group's five recordings are available in CD and audio cassette, and each contains vocal selections. The Busta Band is a case in point, that players take different roads musicians take into the musical culture of contemporary polka music. Jim is a self-taught player who has benefited from study with the renowned Karl Hartwig. However, the musical backgrounds of other band members are much more formal than Jim's. For example, Mollie Busta, Jim's daughter plays the keyboard and trumpet and sings. However, instead of informal woodshedding, much of her training came from Luther College where she majored in musical performance. Mollie has sung opera, and played jazz, although most of her work comes from the polka band. Jim's son Chad is the drummer, the trumpeter is Steve Kenny and the tuba player is Jeff Biermann. The Jim Busta Band is a great example of the German/Czech polka sound of southern Minnesota and Wisconsin. They've been influence by traditional New Ulm style players such as Elmer Schied, but also by the updated style of Karl Hartwig. They get good responses from audiences because it is easy to see that they have fun playing. | |||