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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: Dance has ancient roots in China. Archaeologists have found images of circle dances on ceramic pots in the province of Qinghai that date back some 6000 years. During the Han Dynasty (206 B.C.E.-220 A.D.), scholars were sent out to record folk dances. This process has continued intermittently up through the present day, which means that China has one of the best-documented dance histories of any region in the world. The earliest formal academies of Chinese dance were founded over a thousand years ago, introducing a tradition of elaborately choreographed court dance forms that is still influential. The court dances of China show evidence of numerous cultural influences. Central Asian, Korean, Tibetan, Persian and Indian elements made their way into these dance forms as a result of centuries of invasions, political alliances, and trade along the Silk Road. Another important influence on Chinese dance is the presence within the current borders of China of over fifty minority nationalities, such as the Mongolians, Hmong, and Uighur peoples. Each minority culture has its own dance traditions, and Chinese dance conservatories typically teach versions of these traditional forms along with historical, court and modern dance styles. In Chinese American communities throughout the U.S., dance has become an important way to teach young people about their heritage, and to help promote multicultural understanding. Chinese dance groups, often with the guidance of a teacher educated in China, train young dancers in traditional styles, choreograph new pieces, and create exciting and colorful stage productions. Tianjiang Cui, an award-winning choreographer and instructor trained at the Beijing Dance School, founded the Minnesota Chinese Dance Theater. She and several of her students established the group in 1990 with the goals of keeping these dance traditions alive in the local Chinese community and sharing them with audiences from all ethnic backgrounds. Today, the group operates a professional dance program, training many dance students in Chinese styles. The Minnesota Chinese Dance Theater regularly hosts guest choreographers from China, which helps to enrich the group's work and expand its repertoire. Their performances have received great acclaim from audiences and critics alike. In December of each year, the Theater puts on a large-scale, spectacular show. They also offer smaller performances throughout the year, including Chinese New Year celebrations, appearances at the State Fair, universities, schools, and many local businesses. | |||