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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: Norse Folk performances feature dances accompanied by the Hardanger fiddle, or hardingfele. This uniquely Norwegian instrument is the result of medieval experiments to design a violin with greater ability to project its sound. It has a shorter neck than a conventional violin, and distinctive decorations frequently include a dragon's head for a scroll, and ornate mother of pearl and penwork on the body and neck. The distinctive sound of the Hardanger fiddle comes from the 4 or 5 strings running underneath the fingerboard which are never bowed, but which resonate when the upper strings are bowed. Hardanger fiddler Karen Solgård learned Norwegian folksongs directly from her mother and grandmother, although little was known in America about the prominent Hardanger fiddlers and composers in the family back in Norway. (Her grandfather had at least five cousins in Norway who played Hardanger fiddle.) First a professional classical musician, Karen has studied Hardanger fiddle and bygdedans with masters in Norway and at workshops in the United States for over 16 years. Carol Sersland learned the bygdedans tradition from her immigrant father, a champion dancer in the Telemark style from Hjertdahl, Telemark, Norway. Carol is the only American who has learned bygdedans in direct tradition--the way it's typically learned in Norway--from one generation to the next. As an adult she has learned to sing in the Norwegian folk style, called kveding, by studying with Norwegian masters. Bruce Bostrom's first exposure to bygdedans was by taking private lessons and attending dance workshops around the country. It is no coincidence that he is also an avid cross-country skier and racer, a "cross-training" similar to Norwegian dancers. These dances were created by people whose athletic and artistic abilities were fostered simply by the need for transportation in the mountains! Performances by Norse Folk are high quality and informative. They are leaders in the contemporary scene for interpreting and breathing new life into centuries-old dances and tunes. They specialize in forms that hold great symbolic value for Minnesota Norwegian people and aesthetic appeal for broad audiences. | |||