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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: Upon returning home to St Cloud, Rosemary noticed a community education-based course in weaving, and once she started there was no stopping her. Once the class was over, she bought a 6-harness table loom and set to work. Then there were days of self-teaching, and a little bit of luck, too. Rosemary's family had a Norwegian student staying with them, and it was fortunate that the student's mother sent Rosemary some weaving magazines with patterns in them. Although the diagrams were useful, it still wasn't easy to figure how to create the patterns. However, between a Norwegian/English dictionary and input from a local woman who knew Swedish, Rosemary was able to figure out some of the texts in the pattern books. Rosemary's continued interest in Norwegian weaving stems in part from her heritage, and also from the challenges of learning new techniques. Deep study of the form has taught her that creating Norwegian weaving is a satisfying discipline unto itself. Norwegian weaving has a lengthy history, and as Rosemary put it, "there is plenty to learn." She uses the techniques used in the old Norwegian weavings, but she does not copy designs. Earth tones and blue are important, and she uses Norwegian yarns. Typically, Rosemary creates such objects as table runners, wall hangings and pillows. She exhibits at Nordic Fest, held in Decorah, Iowa, where she has earned Gold Medal status. She has won two blue ribbons at the Minnesota State Fair, the first in 1984, only a few years after she started weaving. Rosemary knows that her work is on the right track when, after viewing her work, people say "We saw that in our mother's home," or "We've got one like that." | |||