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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: Ross grew up in a Swedish American family, singing old Swedish church music from an early age, but fell in love with Irish music while he was a student at Luther College. In the mid-1970s, he moved to the Twin Cities and became involved in the Celtic music and dance revival. As a regular at local ceili dances and sessions, he learned a great deal about Irish traditional music. After a visit to a Robert Burns dinner, he broadened his interests further and began to learn Scottish music and dance traditions. In 1979, he traveled to Scotland to study with Jean Redpath, during which time he was able to visit villages throughout the country, attending sessions and festivals and meeting many traditional musicians. On returning to Minnesota, he started a folk club and began to stage concerts and festivals. This gave him the chance to hear and spend time with many exceptional folk musicians. In 1987, with the help of a fellowship from the Minnesota State Arts Board, Ross visited Sweden. His trip took place during the Midsummer season, which gave him the opportunity to visit many local festivals. Ross was also able to collect a substantial number of traditional song games during this visit. Before returning to the U.S., Ross spent a month in Ireland, visiting Dublin and Donegal, and learning from many musicians along the way. Since that time, Ross has performed in numerous festivals, clubs, public events, and schools. He has done fieldwork in Sweden, Scotland, and Ireland, and has toured in Germany, Scandinavia, and the U.K. In his performances, Ross shares songs, song games, and dances from Northern Europe. He has a special interest in traditional ballads and in songs about emigration to America. His presentations can focus on a single culture, or they can incorporate material from several regions. Ross plays guitar, concertina, button accordion, dulcimer, bodhran and bones. For programs with an educational focus, he discusses the history and traditional context for each song, and he talks about how he came to learn them. When appropriate, his performances can include audience participation in games and dancing. Ross can also present instrument-building workshops on making limberjacks and simple dulcimers. In any form, his presentations are always entertaining and informative. | |||