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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: One such art form, rangoli, involves the creation of intricate designs on the surface of floors. These designs are made from rice flour, colored chalk, ground beans, or fresh flowers. The choice of material varies by region and by the occasion for which the patterns are made. Rangoli is done to welcome guests to the home, to decorate places of worship, and as part of weddings and other special events. Shakun Maheshwari learned mandna, a style of rangoli from Rajasthan, from her grandmother and other relatives. She has also learned several regional styles from southern India. Another traditional art that Shakun practices is henna, the creation of beautiful designs on hands. In India, henna is most associated with weddings, although it is also used for festivals and everyday adornment. Using powder from the henna plant, women make a paste that is painted on the body in elaborate patterns. Like rangoli, there are regional styles for henna. At the same time, there is also a good amount of individual creativity that goes into the design work. For brides who are tense from the elaborate preparations for their weddings, henna work is a relaxing break. The process of making wedding designs can take 2 or 3 hours, and during this time the bride is able to sit and socialize with other young women, while older women bring them refreshments. In addition, because many marriages in India are arranged, henna designs help to break the ice between newly married couples. By discussing the patterns and searching for hidden elements such as the husband's name, the new husband and wife have a playful way to get to know each other better. Shakun feels that these temporary art forms offer American audiences more than just a view of another culture's traditions. Their temporary nature provides a different perspective, a learning process that is more important than the product itself. Henna fades after a few days, and rangoli designs are swept away. By learning to make them, you also learn to let go, to accept their impermanence, and to know that you are able to freshly create them later. Shakun Maheshwari offers many kinds of demonstrations, residencies, and workshops. Henna can be done in many settings. Rangoli requires open floor space or large tables, although it can be adapted for smaller classroom projects. There is a similar form that can be painted on walls using pastes made from powdered materials. Shakun can also demonstrate batik, the creation of ornate decorative patterns using wax, dye, and paper or cloth. For longer residencies, she can design large-scale projects, give talks, present slides, and offer hands-on experience with food, costumes, language, art, music, and dance. | |||