top nav

top navigation top navigation
Amaryllis
Arna Rennan
Barra
Bells of the North Morris
  Dancers

Ben Fairbanks
Bill Hinkley and Judy
  Larson

Blackbirds
Blanche Krbechek
Bob Bovee and Gail Heil
Bounxou Chanthraphone
Bruce Bradley Band
CAAM Chinese Dance
  Theater

Carla Vogel
Clairseach
Creative Theatre
  Unlimited

Dance Revels Moving
  History

Danielle Daniel and Co.
Debra Korluka
Delores G. Matthews
Det Norske
  Folkedanslaget

Diane Jarvi
Dolina Polish Folk
  Dancers

Domácí Czech Folk
  Dancers

Drei Groschen
  Klezmorim

Elise M. Schebler
  Roberts

Elizabeth (Becky) Weis
Emeline Dziabas Cook
Ervey P. Shelley
Ethnic Dance Theatre
  Folk Orchestra, The

Finn Hall/Minnesota
  Pelimannit

Flanagan Irish Dancers
Flickorna Fem
Freshwater Pearls
  Puppetry

Gao Hong
Gladys J. Shelley
Greenwood Tree
Harlen Schmitgen
HjerteDans
Jim Busta Band
John Filipczak and the
  Classics

Joy Parker
Karen Jenson
Karen Mueller
Karen Torkelson
  Solgård

Kip Peltoniemi
Konstantinos
  Papadakis

Laura MacKenzie
Leo and Kathy Lara
Les Harkonen Group
Les Schuft and Country
  Dutchmen Band

Linda Breitag
Linda Wade Koslowski
Lipa Slovak Folk
  Dancers

Mag McDermott
Marcie McIntire
Mariachi Flor Y Canto
Mariachi Serenata
Mary Klockeman
Mary Reed
Matt Vorderbruggen
  Band

Melinda Brobeck
Minnesota Chinese
  Dance Theater

Minnesota Scandinavian
  Ensemble, The

Minnesota Scottish Celtic
  Dance Association

Monroe Crossing
Montgomery Czech
  Singers

Mooncoin Céilí Dancers
Music-On-A-String
Nancy Ellison
Nordic Angst
Norse Folk
North Country Fiddle and
  Dance

Paddy O'Brien
Paul Wilson and Mary
  Abendroth

Peter and Paul
  Wendinger Band

Piper's Crow
Que Huong
Rachel Nelson
Robayat
Robert Hoover
Rosemary Lang Roehl
Ross Sutter
Royal Scottish Country
  Dance Society

Salamat
Shakun Maheshwari
Sister Cecilia Schmitt
Skålmusik
Tibetan American
  Foundation of
  Minnesota

Valeriy Saakian
Voices of Sepharad
Walter Grittner
Wee Willie Band
  - Bill Makovsky

Wild Goose Chase
  Cloggers, The

Zhang Ying
Sister Cecilia Schmitt
Sister Cecilia Schmitt
1035 North 32nd Avenue
Saint Cloud MN
56303
(320) 252-1234
CHTI5@juno.com
www.chem.umb.edu/Palms

Work Samples

Images: (select to enlarge)

Palm weaving

Palm weaving

   Sister Cecilia Schmitt
Palm weaving

In palm braiding, we weave, cut, and fold, loop, and slit the palm to create traditional and whimsical figures. Palm braiding is an ancient art that originated from with sailors in regions where palms grew. After many years in decline, interest in palm braiding is increasing due to my books and workshops, as well as a renewed interest in hand-crafted materials and people desiring to do things with their hands. I am a good and a very nurturing teacher. I usually customize learning situations for each person or group of persons so it is meaningful and enjoyable. People of a wide range in age and ability have enjoyed our projects, including Scout clubs and groups of disabled adults. It also is a very versatile craft; we can create braided projects out of materials other than palm.

Available: I am able to conduct workshops on weekends.

Space: Minimal

Fee: Negotiable

Additional Information:
Sister Cecilia Schmitt is a Franciscan sister who practices a traditional art form called palm braiding. Originally, this was an art form practiced by sailors in tropical climes, who would harvest palm leaves and branches, and turn them into items such as rings, hats and baskets.

In about the fourth century, Sicilians adopted palm braiding as their own. The Sicilians began making religious items, and not the novelty items of the sailors. However, at least one shape found is some of Sicilian art was taken from that of the sailors, the cone formation called the boondoggle. It is made in a few variants and is used as an element in palm braided bouquets, wall hangings, and other objects.

From Sicily, the practice of making religious art objects of palm spread to the rest of Italy. Because of the influence of the Roman Empire, the practice spread throughout the Christian world. In the fifteenth century, Martin Luther emphasized the practice, particularly on Palm Sunday. On that day, worshippers would receive palm leaves at church, and then return home. There, the family would gather together and the eldest family member would teach the others how to weave religious objects. The house was then decorated with this blessed palm.

Europeans representing many Christian religious traditions brought palm braiding to the United States. The tradition persisted in rural American because of the belief that God would watch over them wherever the blessed palm was displayed.

There are three types of patterns. The simplest, used to create crosses, are cut and folded patterns. Looping and slitting is used mainly to create flowers and bouquets. Weaving (4 or more strands) and braiding (3 strands) are used to create birds and fish and insects.

Sr. Cecilia's work to revive palm braiding began on Palm Sunday, 1994, as she was braiding a palm while sitting beside the hospital bed of her critically ill mother. Sr. Cecilia was surprised that none of the nurses recognized what she was doing. She realized that although palm braiding had a long history, it might be a dying art. However, the nurses showed an interest in learning it, she sponsored an open house on successive Palm Sundays at her local church. Hundreds of people from various churches taught and learned at these workshops.

Since that time, a revival of palm braiding has been spreading. Since 1999, thousands of braiders from all over the United States have submitted patterns to her. Sr. Cecilia's compilation of patterns, Palm Weaving, the Story and the Art, has been distributed to over 3,000 artists within the last 3 years, and her website, chem.umb.edu/palms, has had almost 30,000 visitors.

Today people use palm braiding not only because of its religious connections, but also because it helps people remember departed family members who used to do this art form. Frequently, objects made of woven palm are given as gifts.