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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: In about the fourth century, Sicilians adopted palm braiding as their own. The Sicilians began making religious items, and not the novelty items of the sailors. However, at least one shape found is some of Sicilian art was taken from that of the sailors, the cone formation called the boondoggle. It is made in a few variants and is used as an element in palm braided bouquets, wall hangings, and other objects. From Sicily, the practice of making religious art objects of palm spread to the rest of Italy. Because of the influence of the Roman Empire, the practice spread throughout the Christian world. In the fifteenth century, Martin Luther emphasized the practice, particularly on Palm Sunday. On that day, worshippers would receive palm leaves at church, and then return home. There, the family would gather together and the eldest family member would teach the others how to weave religious objects. The house was then decorated with this blessed palm. Europeans representing many Christian religious traditions brought palm braiding to the United States. The tradition persisted in rural American because of the belief that God would watch over them wherever the blessed palm was displayed. There are three types of patterns. The simplest, used to create crosses, are cut and folded patterns. Looping and slitting is used mainly to create flowers and bouquets. Weaving (4 or more strands) and braiding (3 strands) are used to create birds and fish and insects. Sr. Cecilia's work to revive palm braiding began on Palm Sunday, 1994, as she was braiding a palm while sitting beside the hospital bed of her critically ill mother. Sr. Cecilia was surprised that none of the nurses recognized what she was doing. She realized that although palm braiding had a long history, it might be a dying art. However, the nurses showed an interest in learning it, she sponsored an open house on successive Palm Sundays at her local church. Hundreds of people from various churches taught and learned at these workshops. Since that time, a revival of palm braiding has been spreading. Since 1999, thousands of braiders from all over the United States have submitted patterns to her. Sr. Cecilia's compilation of patterns, Palm Weaving, the Story and the Art, has been distributed to over 3,000 artists within the last 3 years, and her website, chem.umb.edu/palms, has had almost 30,000 visitors. Today people use palm braiding not only because of its religious connections, but also because it helps people remember departed family members who used to do this art form. Frequently, objects made of woven palm are given as gifts. | |||