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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: In Europe and the United States, accordionists are often expected to be masters of many musical traditions. This is vividly true for Valeriy Saakian. Raised in a family of Armenian musicians in Azerbaijan, he learned early on to pick up songs by ear. Today, while Armenian music is closest to his heart, he is also skilled in Russian, Jewish, Turkish, Greek, Azerbaijani, and several other musical traditions. Valeriy was born in Baku, Azerbaijan. His father and seven uncles were all musicians, and he vividly recalls regular weekend gatherings in which twenty or thirty people would gather in their home for music and celebration. Even before he began to play an instrument, Valeriy had learned many tunes by heart. When he was twelve, he began to play just for himself on his uncle's accordion, trying out tunes that he remembered. After he had gained a little skill, his father, whose instrument was the nahara (an Armenian hand drum), asked him if he would like to play together. The two would sit on the balcony of their home as they worked through many traditional tunes. Soon Valeriy had learned quite a bit about Armenian music, and the two had gained an audience of neighbors who would come to hear them practice. At the age of 16, Valeriy began to play at weddings with his family. Not long thereafter, his parents decided to send him to music school. The teacher immediately realized that his new pupil could pick up tunes very easily by ear, and he sent Valeriy back to his parents, telling them that there was no need to waste money on formal instruction. In 1992, as conflict escalated in their homeland, Valeriy Saakian and his family fled to the U.S., leaving everything, including his accordion, behind. They settled at first in Bismarck, North Dakota. While there, Valeriy was asked to play for services at a local church. The church officials were so pleased with his playing that they gave him a new instrument. Word of his talents spread, and soon he was invited to play at other local events, including a performance with the local symphony orchestra. Since moving to the Twin Cities, Valeriy has delighted audiences at schools, festivals, weddings, parties, and restaurants. His program is flexible, and can easily be adapted to many different venues and kinds of events. While most of his work is solo, he is also able to arrange performances as part of a trio or quartet. | |||