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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: Chip carving is an ancient art form that produces beautiful geometric patterns on wooden surfaces. While similar techniques have been used by cultures throughout the world, the pieces that guided Walter Grittner as he learned to carve came from the Northern European tradition. In Europe, this tradition seems to have its roots in or near what is now Germany, where similar patterns can still be seen in the stonework of 8th-century churches. During the Gothic period, these geometric patterns became a popular addition to the interior woodwork of cathedrals. At some point, carvers also began to use this technique to decorate furniture, tools, boxes, and other useful items. Chip carving uses simple tools and basic techniques to produce ornate and impressive patterns, which meant that it was used to beautify the homes of rich and poor families alike. Over the centuries, this chip carving tradition spread through Austria, Northern Italy, Hungary, Romania, the Baltic region, and all of Scandinavia. Here in Minnesota, many Scandinavian Americans have encountered family heirlooms with this style of carving, and examples brought by immigrant ancestors can be seen in museums throughout the state. When Walter Grittner first became interested in chip carving back in the 1930s, he was unable to find a local teacher. Working from illustrations of old museum pieces and his own knowledge of geometry, he taught himself how to reproduce these traditional forms. For years, he carved simply for his own enjoyment, producing pieces for his own family or as gifts for friends. By the 1970s, he had mastered the traditional styles, and was able to develop his own designs. In 1982, his family urged him to enter a carving in a competition at the Minnesota State Fair. To Walter's surprise, he won a blue ribbon, was contacted by the Minnesota Historical Society, and received many invitations to demonstrate chip carving. These days, Walter Grittner produces carved items ranging from small pin backs to large boxes, crosses, plates, and more unusual objects such as a traditional mangle board used before the invention of the iron to take the wrinkles out of sheets. He has presented for carving groups, senior citizen's organizations, ethnic events, and historical societies. To his delight, several of his students have now mastered the technique to such a degree that they can now teach classes of their own. Walter Grittner enjoys talking with people, and often takes time during his demonstrations to explain the history of chip carving. | |||